Graham Greene's adaptation of the George Bernard Shaw drama features brilliant performances by the enigmatic Jean Seberg and by Sir John Gielgud. One of the most memorable of the Preminger classics and certainly one of the finest examples of theatre adapted to the screen. As Saint Joan, Jean Seberg displays qualities of "erotic elan" and "juvenile sparkle" that are difficult to learn in acting school. As Andrew Sarris remarked in Film Comment, "Shaw himself would have been fascinated by the poignant suggestion of regret in Seberg's Joan." A brilliant contrast to the naive interpretation of Joan was provided by a solid cast of thoroughly seasoned theatrical veterans: John Gielgud, Richard Widmark, Anton Walbrook, Felix Aylmer and Harry Andrews. The much-publicized talent search for the lead role resulted in the daring casting of Miss Seberg, an unknown actress from Marshalltown, Iowa, with little or no experience. No one knew at the time that she would achieve cult status with the rele